Known for its sleek, high-performance cars, prestigious automobile brand Bentley Motors moves into the fast lane with its first residential complex: Bentley Residences. Set to rise from the shores of Sunny Isles Beach, Florida, in 2026, the 70-story building will be the tallest residential tower on the U.S. coastline.
Bentley worked closely with Sieger Suarez Architects and Dezer Development to shape the exquisitely designed building. Its exterior will sparkle with diamond-shaped glass panels that refract light, and those same diamond motifs (a Bentley signature) are to be repeated throughout. Apartments will come with Italian-made Bentley Home furniture pieces along with a private balcony pool, sauna and outdoor shower. “It’s being built with luxury car owners in mind, and our patented drive-in elevator allows owners to park their car, on display, right outside their home—the ultimate statement of exclusivity,” says Gil Dezer of Dezer Development.
Amenities will include a cinema, whiskey bar and cigar lounge, a wellness center and spa, and an on-site private restaurant.
During the pandemic, creating an abode halfway across the country was no easy task. But when the couple connected with residential designer Fabien Lannoye, general contractor John Schrader and interior designer Shelley Cahan, things started to fall into place. All three have ties to Napa Valley, a bonus for the out-of-town owners, but also key was a near-instant rapport. Cahan only met with the couple in person twice during construction, but “we just clicked,” she says. “They trusted us to deliver their dream home.”
“We wanted it to feel casual, bright and modern,” the wife says. “Our house on Lake Michigan is a traditional English Tudor, and we were ready for a change in architecture and design.” Lannoye set a contemporary note with an open floor plan large enough for a kitchen, living room and dining area set under a soaring ceiling with exposed trusses. Cahan emphasized the airiness of the space with a 20-foot, floor-to- ceiling plaster fireplace surround, which acts as a stunning centerpiece.
To bring additional natural light into the front of the residence, Cahan commissioned a custom pivot door for the front entry and added two skylights to the kitchen. “The glass in the door allows the morning eastern light to pour in,” Cahan says of the impressive portal built by artisan Joe Bates. “It’s a game changer.”
The dwelling is designed around the landscape that drew the couple to wine country. “The house is U-shaped, so when you are inside looking out, it frames views of the vineyards,” says Schrader, who collaborated on the design with Lannoye. “The exterior is largely glass, stone, cedar and Cor-Ten steel,” the general contractor adds. While their low-maintenance qualities are a plus, these natural materials also play an important role in establishing curb appeal; the structure looks right at home set amongst the rolling hills and distant mountains. The elements are also fire resistant and energy efficient, an important consideration in this region.
Taking advantage of the setting and views, a large sliding glass door connects the pool area and great room. Drought-resistant plantings chosen by landscape designer Katherine Novick provide a natural backdrop. “The family wants to be outside when they come here,” Cahan notes. “This house has a full outdoor kitchen with an island, custom lap pool, two fire pits and outdoor furnishings that let the party move with ease from inside to out.”
To make sure the abode would fit the family’s lifestyle, Cahan interviewed the couple and their three children about their needs for the common spaces and private bedrooms. The youngest child, a son still in high school, got a bedroom with a desk for homework, while the older daughters emphasized that they would feel most comfortable in a residence with eco-conscious furnishings and materials. “I’m learning from them and trying to be more mindful of sustainability,” the wife says. “When and where we could, we made that choice.”
Cahan points to the vegan leather chairs in the media room as an example of how they honored the daughters’ requests. The designer also relied heavily on locally made pieces partially for sustainability, but also because with pandemic- related shipping delays, they wanted to be sure that the house could be furnished as soon as construction finished.
Now that the dwelling is complete, the wife hopes the family can use it more often once their teenaged son graduates from high school. “Although there’s no pressure on him to go to college in Northern California, it would be nice if he followed his sisters’ lead and headed west,” she says jokingly. On a more serious note, she adds that the home has evolved as a touchstone that brings the tribe together. “This is a relaxing place for all of us,” the wife says. “We love this house.”
A culmination of seven years exploring the globe, residential designer Peter Oleck’s new showroom, Pietra Casa, in Coconut Grove, Florida, flaunts an exquisite collection of home accessories, materials, lighting and architectural elements that can’t be found anywhere else.
Why did you decide to open Pietra Casa? After years designing projects like the Mondrian South Beach Hotel and homes from Golden Beach to Harbor Island, I wanted to create a space that offers specialty goods for luxury homes, hotels and restaurants. Teaming up with Turkish designer Furkan Tan, we’re creating new bespoke pieces and a furniture line called Carbon Studio. In this world of fast-paced mass-production, we want to bring back a sense artisanal manufacturing and products that are driven by authenticity and quality.
What sets your shop apart? Our goal is to showcase objects from all over the world that aren’t widely represented in North America: European furnishings, volcanic light fixtures from Mexico, Italian hand-stitched leather trays, mouth-blown German glass, Turkish linens and more.
What’s next for you? Pietra Casa offers an immense array of products, and it’s impossible to feature everything. So, we expect to open new locations in Los Angeles, New York and Istanbul that continue creating this true sense of luxury living.
That was the predicament Steve Somogyi and Filip Malyszko’s clients faced when they inquired about doing a light refresh of their 1950s ranch in Palos Heights, Illinois. The design duo was already working with the couple on plans for a family compound in Michigan. However, the wife had their current residence on her mind when she asked, “‘Can you help us by painting and adding new window treatments?’” Malyszko recalls.
The house bore a strong French country influence with carved wood, cherry floors and a color palette of burgundy, gold, black and deep green. “It was decorated to the nines, but very fancy and traditional,” Malyszko says. “Everything was perfectly coordinated—the drapes matched the pillow trim.” Somogyi got right to the point and, according to Malyszko, told the clients, “‘This is going to take a lot more than a paint job. It isn’t a real representation of who you are and where you are in your life.’”
The couple couldn’t have agreed more. With their children now in high school and college, they were ready for a drastic change. The Michigan residence got put on the back burner, and the Chicagoland abode became the focus. “Make it light and bright,” the wife told the designers. “Our goal was for the space to be more functional for the way we live every day,” she says.
The duo began with reimagining the great room. Working with general contractor James Corso, they built out the roof and added steel supports that bring attention to the voluminous space. The limestone fireplace, adorned with salvaged-steel artwork, also helps to draw the eye up to the 14-foot peak. “We completely blew off the ceiling and reshaped the roof,” Malyszko explains. “The project went from decoration to renovation.” A skylight so large it had to be craned in piece-by-piece floods the space with light, allowing the designers to paint the walls a deep ebony. “It was transformative,” Malyszko says. For furnishings, they replaced the couple’s collection of dark and ornate pieces with clean-lined selections. An oversize coffee table holds center court while custom sofas modeled after the family’s old ones provide all the seating the couple needs to entertain a slew of visitors.
This love of hosting also facilitated the decision to flip the dining room to the front of the house, allowing for a commodious custom dining table that easily accommodates 12 guests. Overhead hangs a dramatic multipendant light fixture that stretches the length of the table. “It’s the first thing you see,” Malyszko says. “It has wonderful movement. The glow of the handblown glass pieces is spectacular.”
The removal of a partial wall that blocked the flow between the kitchen and current sitting area of the great room also makes for easier entertaining. As does the new kitchen of the wife’s dreams, complete with streamlined cabinetry, a custom hood and a live-edge breakfast table with banquette seating offering a cozy spot for informal meals.
In another clever move, the designers created a new entry by enclosing part of the covered front porch and barrel-vaulting the ceiling. They retained the texture-rich limestone of what used to be an exterior wall and turned the space into a darling vignette with a chain-leg console topped by an arched mirror and plaster lamp, all set aglow by natural light streaming in from the adjacent window. Now one of the most chic spaces in the house, the foyer has a strong indoor-outdoor connection that makes it feel like a three-season room.
Each revamped space flows together naturally, thanks to the overall palette of materials. “We wanted to unify the residence so that each room blends together from one area to the next,” Malyszko says. “There is a mixture of textures, neutral colors, contrast and subtle patterns making each space unique, but not jarring.”
Post-renovation, the owners are grateful that they decided to stay in the dwelling that has nurtured their family for more than 20 years. Says the wife, “They literally turned the house into our dream home.”
Desire a home that dazzles like a jewelry box filled with brilliant baubles? Furniture and interior designer Adriana Hoyos believes her newest Gem Collection is the most elegant and refined collection yet.
What sparked the Gem Collection? As we searched for inspiration during the pandemic, and without travel, we had to focus on what we had in hand—quite literally—because we have gems and jewels in our hands. The main piece of jewelry that inspired us is the cushion-cut diamond. Its shape and soft curves are replicated in many of our pieces, from cocktail tables to an ottoman.
Share the new styles you introduced. We add special curved shapes with soft angles and materials. There are two new wood finishes that match our two new metallic finishes. We also introduced a different hardware for our case goods. The leathered bases to decorate our dining table are a great accent of the collection.
Why was this the right time for the collection? The pandemic taught us what we like and what we don’t like in the spaces we live in. We went through a different creative process this time by trying to bring out the crème de la crème of our brand. We wanted to pamper our clients through our most elegant designs ever, specially made for their homes.
Carrie Hudak’s home wouldn’t look out of place in Palm Springs, California, which makes it an anomaly considering its location: central Denver. The just-over-5,000-square-foot midcentury modern dwelling is tucked amid dozens of traditional 1920s and ’30s residences more typical of historic Cheesman Park. With a front façade punctuated by just a few slender floor-to-ceiling windows and a vine-covered wall concealing much of the house and yard from the street—thus furthering its mystique—this is an abode that invites curiosity.
Carrie herself had long been intrigued by it. So when the property came on the market, she snapped it up. She picked up on its potential at first sight, but also noted plenty of spaces ripe for improvement, including an oddly laid-out kitchen with an island set at a diagonal, dated bathrooms and a sea of mismatched concrete-and-brick pavers in the courtyard. A renovation challenge was far from daunting, however, thanks to a bona fide ace up Carrie’s sleeve: her sister, interior designer Amy Casey.
To tackle the renovation, they called on architect Katrina Eckelhoff and builder Christine Regis, both of whom had worked on Carrie’s previous residence. Eckelhoff noticed the home’s charms right away. “It just had a good feeling when you walked in,” she recalls. Built as a small two-bedroom in 1959, the property was expanded in the ’60s into its current U-shaped layout. Studying the house’s subsequent renovations, the architect could see where previous owners had attempted to fix some of its awkward corners. It helped her identify new ways to improve the dwelling’s flow without altering its floor plan. “She had all these subtle ideas that turned out to be game changers,” comments Carrie.
Together, Eckelhoff, Casey and Regis envisioned how to transform this abode into the best version of itself. To retain some of its midcentury character, they opted to keep the original parquet floors and floor-to-ceiling glass windows, but the bathrooms and kitchen were stripped down to the studs and some partitions between the rooms removed. For the interiors, Casey also drew inspiration from an unlikely place: Carrie’s career as a geologist. Her knowledge of rocks and stones is highlighted throughout the home, from varying surfaces on countertops to decorative accents here and there, including a huge statement slab behind the primary bathroom’s freestanding tub. Individual stones are also displayed around the house. (“When you’re a geologist, people can’t resist gifting you rocks,” Carrie jokes.) The owner’s taste in art hints at her interest in Earth’s history, too, with photographs of the sea and several landscapes adorning the walls. A nature-inspired palette complements the scene, with, for instance, forest-green accents in the primary bedroom and botanical wallpapers in the children’s bathrooms creating an organic, resort-inspired vibe.
A walnut paneled wall in the lounge area off the main living room caused one of the few moments of disagreement between the sisters. The interior designer was initially inclined to take it out, but Carrie felt she’d miss the warmth of the original wood. Casey found a compromise by working it into her design scheme: She eventually loved it paired with the room’s blacks, whites and grays, and sourced similar-toned woods for the built-in breakfast table and to panel the kitchen island.
Outside, the team worked with landscape architect Dave Johnson to refresh the walled yard without moving any major elements. Casey’s idea of an outdoor seating area around a fireplace just beyond the interior living room created a stronger indoor-outdoor connection, all the while providing a better view than the garage wall. The existing pool received a face-lift complete with a new hot tub. And after a lot of jackhammering, the dated pavers were replaced with flagstone stepping-stones for a modern, streamlined look. Ensconced in what now feels like a private oasis, Carrie’s children, aged 10 and 12, and her husband, Charley, never feel cooped up.
But what makes the home truly special is the comfortable collaboration that went into it. “It was me, my sister and a female architect and builder too—a real ‘woman power’ team and pleasant experience,” Carrie recalls with a smile. “Ultimately, Amy took my concepts and amped them up in a good way. I’m glad I followed her advice, because this is now such a pleasant place to live.”
The arrival of twins marks a joyous occasion, and for one Atlanta couple, it also made the case for a move. So, they set about assembling a design team who could deliver the open, family-friendly floor plan they craved without compromising on sophistication. “Both of the clients are very fashionable,” reveals their interior designer, Kelly Wolf Anthony. “They wanted their future home to feel cool and hip, but at the same time, handsome.”
Since general contractor Bobby Johnson had worked on the family’s previous Buckhead residence, he already understood their preferences intimately—a fact that helped his team seamlessly apply many of those same elements to their new abode. “There’s so much value when your owner trusts your builder,” says residential designer William T. Baker, whose arrival to the project guaranteed architecture that would balance the couple’s refined taste with their growing family. Renowned for his graceful but restrained gestures, Baker’s approach to the house exemplifies understated glamour. His curved central staircase, for example, lends a dramatic focal point visible from the home’s entryway as well as one of its most-used spaces: its library-like dining room. “As I’m designing houses, I’m always very conscious of the vistas, the enfilade of the rooms,” Baker explains. “I try to make sure things are on an axis—furniture, art walls or something architectural—so that you have a visual to draw your eye farther down the home.”
Anthony, meanwhile, was interested in answering the couple’s request for a monochromatic palette while bringing in textured layers, such as tartan and bouclé. “It’s very much like a well-tailored suit,” Anthony says of the scheme. “The clients both enjoy plaids in their wardrobe and in their accessories, so we infused that into the home using flannels and wools; having those very tactile fabrics was important.” To dial up detailing in other areas, she brought in a frequent collaborator, designer Matthew Quinn.
While executing the abode’s well-appointed scullery, pantry and kitchen, Quinn teamed up with Anthony to refine Baker’s plan for a steel-and-glass partition dividing the latter space from the living room. The result? A clever feature that converts to a walk-up bar for entertaining or quickly closes to keep cooking aromas and meal-prep clutter sealed away. The owners wanted an accommodating layout where they could still entertain frequently, so they also loved Anthony’s idea for keeping their aforementioned dining room informal. “We didn’t want it to be the kind of room you only use a couple times each year,” says the interior designer, who worked with Baker on the space’s chevron-patterned bleached-oak floors and ceiling paired with coordinating paneled walls. Instead, “We wanted it to be used daily—whether for a meeting or curling up with a book in the oversize wing chair. It needed more of a swanky library feel than a traditional dining room.”
A similar duality emerged for the primary suite, which the clients specifically requested be on the main level. To keep the retreat feeling private, their design team devised a fluted wooden wall panel to keep its entry hidden. “We wanted that wall to read as solid, but when you open the doors, you have that big reveal,” explains Anthony, adding: “It keeps the house feeling entertaining friendly, because no one would know the bedroom is right beyond the living room.”
While Anthony kept the decor of the couple’s cozy sleeping space simple, Quinn had liberty to amplify the drama in their bathroom, where he clad walls and floors in contrasting white and black marbles, also adding an open shower that remains quite private thanks to the secluded lot. “It’s an elegant space, and I think it speaks exactly the same language as the rest of the home,” Quinn notes.
Outdoors, all elements were equally in harmony, apparent in the sight line that culminates in Baker and Anthony’s collaborative concept for the pool house: a classically inspired structure featuring a matte-gray stucco exterior. With landscape architect John Howard enhancing the areas surrounding it, Anthony was decidedly impressed. “John brought so much attention to detail with his planning, marrying the clean, modern look the clients wanted with classic details,” she says. “The result is spectacular in its minimalism.”
That parting thought is, by all accounts, a fitting way to sum up the project as a whole. The design team successfully straddled the line of subtlety and impact for their clients while adding features that accommodate their growing family. All told, Anthony notes, it’s a truly bespoke home that fits all their wants and needs in a timeless way, yet still allows room to grow.
Restoring the 1917 Classical Revival-style building by architect Frederick H. Meyer to its former glory was a passion project for the brand’s CEO, Gary Friedman, a San Francisco native. Visual delights abound upon entry, from the octagonal lobby’s rose marble floors to the airy Palm Court Restaurant to the exclusive preview of RH Contemporary.
Scaling the original stair rotunda to the second level will bring you to RH Interiors, which serves an homage to design history. The third level, once a naval architects’ studio, features a 13-tier Serenella chandelier and now houses RH Modern. On the rooftop, discover intimate RH Outdoor lounge spaces while taking in the bay and city views. For those in need of some design assistance, head down to the RH Interior Design Firm & Atelier—the largest to date—on the lower level.
There’s something for everyone at this expansive new gallery.
Decorative Materials, shares three tile trends coming on strong this year—and the manufacturers making them look better than ever.
“Colorado is seeing an influx of people from all over the world, and they’re pushing the envelope when it comes to mosaics,” Schmit says. Her favorites include New Ravenna’s collaboration with wallpaper studio Gracie (shown above), for which five hand-painted designs were translated into exquisite glass mosaics, and Akdo’s Beacon line, which achieves the depth, movement and character of stained glass. Onyx France’s natural stone Chaplin mosaic may seem simpler but takes on a dramatic quality on the wall, she explains.
TILES WITH A STORY
“Knowing the story behind a tile creates a deeper connection to the material,” reflects Schmit. New Ravenna’s Femme & Function collection in dolomite, glazed basalt and marble takes pattern cues from textiles and pottery made by female artists throughout history, from ancient Japanese shibori-dyed fabrics to traditional quilts. Colorado’s own Delta Brick & Climate Company prevents sediment build-up in the Paonia Reservoir from harming the downstream ecosystem by using it to make vibrantly glazed clay tile, pavers and brick. And Artistic Tile’s polychromatic Moon Cosmati stone tiles (shown above) pay tribute to the mosaics installed across Europe during the Middle Ages by the Roman Cosmati family.
“Old colors and patterns are back in style, modernized and reinvented,” Schmit adds. “Zellige tiles have been in Morocco forever, but they’re a fresh alternative to classic subway tiles.” Those square pink tiles lining grandma’s bathroom are back too. “Portland-based Pratt + Larson did a gorgeous color study with its new pink glazes ranging from light pinks to sherbets and making appearances on field tiles, textured tiles and mosaics,” she notes. But the retro tile flying off the sample rack the fastest, she says, is Spanish manufacturer Ceramicas Aparici’s Art-Deco Black Spritz tile (shown above), which captures the glamour of the Roaring ’20s.
MOSAICS PHOTO: COURTESY NEW RAVENNA; TILES WITH A STORY PHOTO: COURTESY ARTISTIC TILE; VINTAGE REVIVAL PHOTO: COURTESY CERAMICAS APARICI
Jacobs built the house for himself in 1915 and had fashioned it with such integrity that the structure was able to withstand all the earthquakes of the last century. Though the mahogany-toned millwork throughout the residence felt too dark for Kendall’s taste, the designer saw the artistry of the home’s unique form and decided to honor its history. “I wanted to let the original structure inspire the remodel,” explains the designer, and so she set out to create a thoughtful balance of old and new.
Though she stained the floors a dark walnut hue and painted the intricate woodwork white before moving in, Kendall waited three years before embarking on a larger redesign. “I lived in the house with my two boys first so I could get an understanding of how we’d use it,” she says. When she did begin the transformation, she worked with her former husband, architect Rob Wilkinson, and general contractor Kevin Brunner to maintain the dwelling’s original charm. “We made the conscious decision to minimize exterior changes and turn the focus inward,” Rob says. “Inside, we kept the detailing consistent with the original character.” For instance, when the team “lifted the door heights between rooms to create a more open flow, we painstakingly matched the new moldings to the old ones,” Kendall explains. Other details, such as the home’s original leaded windows and ornate fireplaces, remain as they were built 107 years ago.
To better meet her family’s needs, Kendall updated the footprint of the main living spaces, incorporating a dining area into the formal living room. She and Rob then removed a wall and opened the remodeled kitchen into what was formerly the dining room, creating a light and airy “family zone” where the designer and her sons eat most of their meals, entertain friends and relax. “The openness makes the space feel nearly doubled,” notes Kendall. Though the upstairs layout stayed the same, the designer transformed the bathrooms to deliver a timeless elegance, and she reimagined a top-floor room as her cozy sanctuary and home office.
While Kendall’s firm is a favorite of the tech industry elite—a client roster that often favors modern abodes—this house gave her permission to showcase her personal aesthetic, which skews more layered and romantic. “I love the tension between old things and new—the juxtaposition of a classical backdrop with modern art and contemporary furnishings,” she says. “There’s something interesting to me about the way pieces from different periods dialogue together within the same space.” In the living room, a reupholstered chair designed by Jacobs, and original to the house, sits alongside a 1970s chrome-and-Lucite chair, while a vintage Sputnik-style chandelier hangs near circa 1900 crystal sconces. In the grand entryway, an antique rug grounds the space while a 19th-century entry table from France presides beneath a vintage 1930s mirror that once adorned a Las Vegas casino.
Though the palette on the ground floor tends toward quiet blues and grays, borrowed from the surrounding landscape of ocean and fog, the designer allowed more color upstairs in the private spaces. “My bedroom is a serene lavender, and the guest bedroom features beautiful shades of green inspired by the Arboretum wallpaper I designed,” she says. “In my sanctuary space on the top floor, I went with a deep blue to create a cozy spot to sit by the fire and watch a movie at the end of the day.”
In the end, Kendall fashioned a dwelling that honors its history while reflecting an aesthetic she has cultivated over a lifetime of traveling, collecting and practicing design. “Sometimes, I walk around the house and try to find something I would change,” she says. “But I haven’t come up with anything yet—except maybe a bigger closet.”